Events Calendar
Solemn Mass: Corpus Christi
Continuo Cellist
Mark Dwyer, conductor
Church of the Advent Choir
F. Schubert: Mass No. 4 in C Major, D. 452 (1816)
I. Kyrie and Gloria
II. Credo
III. Sanctus and Benedictus
IV. Agnus Dei
W.A. Mozart: Ave Verum Corpus, KV. 618 (1791)
Review: Boston Symphony Orchestra
John Storgårds, conductor
Pekka Kuusisto, violin
Outi TARKIAINEN Midnight Sun Variations
NIELSEN Violin Concerto
SIBELIUS The Oceanides and The Bard
SIBELIUS Tapiola
Finnish conductor John Storgårds leads the first of two BSO concerts in the Music of the Midnight Sun Festival, an exploration of Nordic music and storytelling. Finnish composer Outi Tarkiainen’s nuanced and colorful Midnight Sun Variations transports you to her homeland and is in many ways is a worthy successor to the vivid soundscapes of her compatriot Jean Sibelius. Three of the composer’s tone poems based on Finnish legend are performed here, their moods ranging from sweeping power to contemplative mystery. These concerts also feature established Finnish violinist Pekka Kuusisto in his BSO debut in the orchestra’s first-ever performances of the great Danish composer Carl Nielsen’s 1911 Violin Concerto.
Review: Boston Symphony Orchestra
Joana Mallwitz, conductor
Anna Vinnitskaya, piano
KODÁLY Dances of Galánta
TCHAIKOVSKY Piano Concerto No. 1
SCHUBERT Symphony in C, The Great
German conductor Joana Mallwitz and Russian pianist Anna Vinnitskaya, both in their BSO debuts, perform Pyotr Tchaikovsky’s beloved Piano Concerto No. 1, which originally premiered in Boston! Hungarian Kodá ly’s Dances of Galánta (1933) is steeped in folk music of the composer’s home region. Franz Schubert wrote his towering Symphony in C, The Great, near the end of his life; none other than Felix Mendelssohn led its public premiere a decade after Schubert’s death.
Silent Film Screening: She, Who Dared
Section Cellist for Silent Film
GR Films & New Path Productions Present She, Who Dared:
The Red Carpet Test-Screen Live Orchestral Event!
Ian Rashkin, composer
Sebastian Bäverstam, conductor
Vangarde Symphony Orchestra
Dared: The Red Carpet Test-Screen Live Orchestral Event! at the Somerville Theater with an original score by renowned composer Ian Rashkin performed live by Boston’s Sebastian Baverstam and his Vangarde Symphony Orchestra.
She, Who Dared is writer/director Gabrielle Rosson’s greatly anticipated proof-of-concept short film about lost silent film icon Lois Weber starring a host of New England talent including lead actors Katie Killourhy and Paul Noonan, and notables Sheri Lee, Nick Wakely, Paul Kandarian, Justin Thibault, Dustin Teuber and Kris Salvi.
Film history from the female perspective is just one topic Rosson hopes She, Who Dared will highlight. She also plans to use the film to explore the pressures of being a married working woman in the 1920s and to underscore the longstanding battle between independent filmmakers and Hollywood executives.
"This is the most important film I've ever made," states Rosson, "it's vitally important that filmmakers know where they came from. By presenting the film with a live orchestral performance, we honor both Lois Weber and the medium of silent film at its very roots."
The original score for She, Who Dared features a lush combination of strings and winds and was written by Los Angeles-based composer Ian Rashkin, who noted he wanted his music to convey “both the beauty and gravity of Weber's work, and to hint at the musical style of the period but with a modern gloss, much like the very idea of a biopic about a filmmaker.”
Boston’s Sebastian Baverstam and his 15 piece Vangarde Symphony Orchestra will perform the score live to film at 3 PM, but the festivities kick off with a cocktail hour, red-carpet photos, and networking at 2 PM. Emcee and comedian, John O’Connor, will lead a filmmaker Q&A after the film.
Concert: Ballet Russes Arts-Initiative
Chamber Music Cellist & Section Cello
Fanfare for Composing Women
Sharon Su, piano soloist
Britney Alcine, conductor
Joan Tower: Sixth Fanfare for the Uncommon Woman (2015)
Tania Leon: Alma (2007)
F. Mendelssohn Hensel: Piano Concerto in G Minor, IFH 19 (1843, arranged from the Piano Sonata in G Minor), 2023 arr. Patricia Wallinga
First Performance. Orchestration commissioned by Ballets Russes Arts Initiative.
Lera Auerbach: Quartet No. 3 “Cetera Desunt” (2006)
Joan Tower: Petroushskates (1980)
This concert is presented by Ballets Russes Arts Initiative in partnership with Congregation Kehillath Israel.
The performance and orchestral commission are generously supported by the Hegardt Foundation, with additional funding from the Massachusetts Cultural Council, the Women's Philharmonic Advocacy, the Rebecca Clarke Society, Aurora Charitable Fund, Congregation Kehillath Israel and numerous individuals including Guillermo Del Angel, Friedhelm Hildebrandt and an Anonymous donor.
Private Wedding
Solo Cello with Piano Accompaniment
J.S. Bach: Suite for solo cello
No.3 in C Major
J. Dall’Abaco: from 11 Caprices for solo cello
No. 8 in G Major
F. Schubert: selection from Schwanengesang, D. 957
No. 4: Ständchen, arr. Vogel & H. Guérout
P. Mascagni: Intermezzo from Cavalleria Rusticana, arr. O. Mendozzi
C. Debussy: selection from Préludes, Livre I
No. 8: La fille aux cheveux de lin, arr. Körner after Roques
Elias Dagher, piano
Concert: UMass Boston Orchestra
Section Cello
Sommer Forrester, conductor
Dr. Ryan Noe and Max Ignas, trumpet soloists
UMass Boston Orchestra
L. v. Beethoven - Overture to ‘Egmont’, Op. 84
A. Vivaldi - Concerto for Two Trumpets in C Major, RV 537
Lili Boulanger - D’un matin de printemps
J. P. Moncayo - Huapango
Concert: Fermata Chamber Soloists
Section Cello
Aurora
Yip Wai Chow, violin soloist
Fermata Chamber Soloists Chamber Orchestra
Max Richter - Four Seasons Recomposed
R. Vaughan Williams - Fantasia on a Theme by Thomas Tallis
Please join us for our season finale, and five year celebration of Fermata Chamber Soloists, for a show-stopping program featuring FCS veteran violinist Yip Wai Chow. On the program is Max Richter’s minimalist recomposition of Vivaldi’s timeless Four Seasons, as well as the beautifully moving Fantasia on a theme by Thomas Tallis, by Ralph Vaughan Williams.
Private Concert: St. Botolph Club Fellows' Fanfare
Solo Cello with Accompaniment
Artist Showcase as part of The St. Botolph Club’s “Fellows’ Fanfare”
Alexander Glazunov: Chant du Ménestral, Op. 71
Ivan Gusev, piano
Private Reception: Solo Cello
Solo Cello
For private reception following Boston College’s Spring Symposium on Journalism and Democracy
J.S. Bach: Suites for solo cello
No. 1 in G Major
No. 3 in C Major
No. 4 in E-flat Major
Joseph Dall’Abaco: selections from 11 Caprices for solo cello
No. 1 in c minor
No. 3 E-flat Major
No. 8 in G Major
Concert: Fermata Chamber Soloists
Section Cello
Flagship Concert: Atonement
Alex Fowler, solo cello
Fermata Chamber Soloists Chamber Orchestra
O. Respighi - Il Tramonto
A. Pärt - Fratres
M. Bruch - Kol Nidrei
Fermata Chamber Soloist veteran Alex Fowler presents Max Bruch’s haunting one movement work for cello and orchestra, Kol Nidrei or “All Vows.” This mysterious piece utilizes an Aramaic prayer sung at the beginning of Yom Kippur, the hallowed day of atonement. Ottorino Resphighi’s Il Tramonto, for voice and string quartet, is a deeply affective work that tells the story of two lovers and their tragic fate.
Music Journalism Workshops: Stauffer Center for Strings
Course Participant
Attendance at two free courses in music journalism and media offered by the Stauffer Center for Strings in Cremona, Italy. Instructors include Oliver Condy, principal editor of The BBC Music Magazine and Joshua Barone, assistant editor of Classical Music and Dance for The New York Times.
Review: Boston Symphony Orchestra
Andrés Orozco-Estrada, conductor
Emanuel Ax, piano
TCHAIKOVSKY Romeo and Juliet, Overture-Fantasy after Shakespeare
MOZART Piano Concerto No. 18 in B-flat, K.456
BARTÓK Suite from The Miraculous Mandarin
ENESCU Romanian Rhapsody No. 1
Colombian conductor Andrés Orozco-Estrada in his BSO debut is joined by American pianist Emanuel Ax for Wolfgang Mozart’s high- spirited Piano Concerto No. 18. The familiar, yearning Romeo and Juliet Overture is one of several works Pyotr Tchaikovsky based on Shakespeare plays. Hungarian composer Béla Bartók’s lurid Miraculous Mandarin Suite and the Romanian French composer George Enescu’s folk music-inspired Romanian Rhapsody both make exciting and colorful demands on the orchestra.
Read the Concert Review HERE
Concert: Du Bois Orchestra
Section Cello
Dominique Hoskin, conductor
Felix Mendelssohn: Overture to a Midsummer Night's Dream
William L. Dawson: Negro Folk Symphony
Nikolai Rimsky-Korsakov: Scheherazade
Solemn Mass: Michaelmas
Continuo Cellist
Mark Dwyer, conductor
Church of the Advent Choir
W.A. Mozart: Missa brevis in F Major, KV. 192 (1774)
Kyrie and Gloria: 25:00
Credo: 51:25
Sanctus and Benedictus: 1:13:00 mins
Angus Dei and Donna Nobis Pacem: 1:25:20
World Premiere: Bäverstam Cello Concerto
Section cello as part of the premiere concert of the Vanguarde Symphony Orchestra
Sebastian Bäverstam, solo cello
Max Hobart, conductor
F.J. Haydn: Armida Overture
Bäverstam: Cello Concerto in d minor
WIRED
Solo cello as part of black box Foley performance, WIRED
David Raposo, foley co-director
Johanna Lee, foley co-director
Emily Bungert, production